Fri, 01 Jun 2001
My name is Montana Mouse.
I'm a journalist.
I tag along with a rather odd character, a schmeggegy would-be scientist who calls himself "Moulton."
I was there when he adopted that name. He was sitting in his office on the fourth floor at BBN -- the little company that invented the Internet -- when he logged on for the first time to one of those online communities that emerged out of the Internet.
And the first thing the system asked him was "What name do you want to be known by?"
Talk about hard questions. He just stared out the window for minutes, looking vexed and perplexed. I guess no one ever asked him that question before.
Anyway, he just stared at the traffic passing through the intersection of Concord Avenue and Moulton Street for about 4 minutes. Then he turned back to his computer and typed in "Moulton."
I guess he didn't want to be known as "Concord Avenue."
Things have never been the same since. Moulton was born. It was the spring of 1989.
Fri, 01 Jun 2001
For a would-be scientist, Moulton isn't very methodical. For one thing he never takes notes, never keeps a journal. He's about the sloppiest scientist you'd ever meet. But occasionally he does some decent science. It's just that he never writes it down.
So I took up the job. I've been keeping Moulton's Journal for him for a dozen years now. He doesn't know I'm keeping notes. He probably wouldn't read them anyway. He hates to read journals. He finds them boring as sin.
The trouble with scientists is they never know how they know stuff. They look at the world, see stuff, and ask themselves, "How do I know that what I'm seeing is really what it seems to be?" And then they spend the rest of their lives trying to prove that the world is what it seems to be.
Except that a lot of the time, the world proves to be a lot more subtle and complex than it seems to be at first glance. Poor Moulton -- show him an enigma and he'll spend the rest of his life trying to solve its mysteries. You'd think he'd pick something more interesting to do than to solve the enigmatic mysteries of the Universe.
I mean who cares?
Fri, 01 Jun 2001
Moulton is such an absent-minded professor. He'll forget what day of the week it is. Coupla times he even forgot it was his birthday. You shoulda seen the look of surprise on his face when his buddies at the Science Museum brought in a cake one day. "What's the occasion," he asked? The dood didn't even know it was his birthday. But he seemed to enjoy the cake anyway.
But that's not the sad part. The sad part is that he also forgets other people's birthdays. It must break their heart.
Last summer he was with his long-time companion and soulmate, who calls herself "Moonbeam." She's really cool.
But she had an accident. She dislocated one of her bionic hips, and had to go to the hospital. Poor Moulton. The Admissions Clerk asked him all these really hard questions. "What's her address and phone number? What's her Social Security Number? What's her Medical Insurance Plan? What her date of birth?" He didn't know any of that.
The Admissions Clerk musta thought this guy was living on another planet.
Which is sorta true. Sometimes Moulton calls himself, "Barsoom Tork, Anthropologist from Mars." It's apt. He might as well be a Martian, sent down to Earth to study Human Beings. Cuz that's what he does.
He walks around like some Martian, puzzling out Earth Culture. He's not very good at it. Hasn't figured out much of anything yet.
People look at him and say, "You haven't figure out much of anything, have you?"
You'd think they'd give him a bloody clue now and then.
Sun, 03 Jun 2001
Moulton was funny today.
The regular staff person in the Cahner's Computer Place at the Museum of Science was off this week, so another intern named Judy was filling in. Judy's young and giggles a lot. She's a student of psychology. She goes around the Museum and interviews the visitors to find out what they like and don't like.
Judy is so good natured and giggly that I can't imagine anyone telling her there was something about the Museum they didn't like.
Anyway, Moulton didn't know that Judy is about to leave for the summer, so he was busy trying to get to know her, cuz he thought she was a new Sunday volunteer who was just coming on board.
He showed her the Tower of Hanoi and demonstrated his annoying method of asking the same four questions over and over to guide the poor beleagured visitors to solve it with "deep reasoning."
If I hear Moulton say "Recursion" or "Deep Reasoning" one more time, I think I'll hop into Judy's pocket and hitch a ride to Canada with her for the summer. At least she has a contagious giggle.
Moulton never giggles.
Matthew was there today, too. Matthew is this big lunk who supervises the Cahners Computer Place on Sundays. Miss Congeniality he is not.
Matthew was interviewing a teenager who might become a new volunteer. When he finished, he came out of the office and said, "I told her about the Sunday crew, including Moulton, so if she doesn't take the job, we'll know why." And Moulton retorted, "See, if I had interviewed her, we'd have gotten the opposite outcome: She wouldn't have taken the job because of you!"
Heh. Josh thought that was a funny comeback. Josh is cool. He's a young high-tech entrepreneur who comes in every other week. He has a wry sense of humor, kind of like Yesdeer, but not as cynical.
And then there's Michael. Another teenager, very bright, but a little out of his league when Moulton and Josh are doing "schtick" together.
Moulton stuck around to go see the Omni movie. It was a drama, with a kind of dream sequence flashback to the Cretaceous Era. The teenage heroine, who is the daughter of a Paleontologist, meets Mama T-Rex and helps her defend her eggs against marauders. It was a love story involving parental instincts. Moulton was shocked. After all, this was the Mugar Omni Theater at the Museum of Science. What are they doing putting on a love story with dinosaurs? Scary.
Oh, but I forgot the best part. I was just sitting there in Moulton's pocket when he reached in, took me out, and showed me off to Judy, Josh, and Michael. Then he put me on his head, like a little hat.
Thought I was gonna die. The humiliation I have to put up with to help Moulton explain his silly ideas to people. If he calls me a "Learning Critter" one more time I'm gonna puke on his "Wizard's @ Work" BBN Technologies Chambray Shirt.
Wed, 06 Jun 2001
Moulton's an odd bird.
He says everything is connected to everything else.
God help anyone who questions that. Moulton will spend the next four
hours drawing a detailed map revealing how everything is connected to
everything else.
And not in two-part melody and four-part harmony with an occasional
bridge between stanzas.
Nope nope nope. He just weaves it all together like some huge
Tapestry that you couldn't even hang on the Berlin Wall, if it were
still standing.
He drives the Juke-Boxers nutso.
Who are the Juke-Boxers, you ask?
Heh. That's Moulton's metaphor for people who park every little song
and dance in a separate slot. The compartmentalizers, except he
doesn't use that long word. He just calls 'em Juke-Boxers.
Moulton sez most people store information the way a Juke Box stores
records. In little separate compartments. Adjacent records have little
or nothing to do with each other.
Moulton sez about one person in 100 doesn't use the Juke Box method
to compartmentalize stuff. Instead they weave Tapestries. Giant maps
with stories embedded all over them. And with a Tapestry, everything
is woven together, everything is connected to everything else.
Bards work from Tapestries. They can spin a tale by plotting out a
path from one point on the Tapestry to another, like a Journey.
Moulton sez a Juke-Box can't compose music, can't even play medleys.
It has to play one record at a time, and if you don't like that
record, you have to hit the Reject Button. So Juke-Boxers are used to
Rejection.
But Tapestry Weavers are a different story. They operate on an
entirely different principle. To Reject a part of a Tapestry is to
tear a hole in the Fabric of Civilization itself.
Moulton sez it's hard for Juke-Boxers to grok Tapestry Weavers. Juke
Boxers have no way to store a whole Tapestry. They only have the
capacity to store a large collection of unrelated records, like
cutting up the Tapestry into little squares. They miss the big picture
hidden in the Tapestry.
Fri, 08 Jun 2001
I've watched Moulton over the years. It's interesting to see how he
acquires the practices of each locale and culture he's embedded in.
When Moulton was 12, his father moved the family to New Orleans
for a year while he attended Tulane to earn a Masters in Public
Health.
It was strange for Moulton to watch his father become a college
student at the age of 45. It was cute the way Moulton gave his dad
tips on how to take exams.
But that's not what I wanted to talk about today.
What I wanted to talk about was how Moulton adapted to the local
culture of New Orleans, especially the speech patterns.
When he first arrived, he couldn't understand a word people said.
They talked so different in New Orleans than in Omaha. And 10
months later, when the year in New Orleans was about over,
Moulton was talking just like them.
After returning to Omaha, he lost his New Orleans drawl within a few
months.
Then he went off to college himself. Not all that far. He only went
from Omaha to Lincoln, a mere 50 miles. But oh what a change in
culture. Moulton was no longer living at home, but in a house full of
other students who brought all manner of different ways of
speaking.
One of the features of that culture was teasing and ribbing. It went
on all the time, and the only way to survive was to give as good as
you got. They had a strange name for it in those days. They called
it "pimping" -- I kid you not. In Lincoln Nebraska, in 1964,
put-downs were known as "pimping."
I'll never forget the day the girl friend of one of the brothers drops
by, and by way of greeting, she says, "Pimp me."
But the problem was, when Moulton went home during breaks, he
brought that acid tongue with him. Which his Mother did not like.
Moulton himself wasn't even aware of it. "What acid tongue?" he
would inquire.
It wasn't until after he graduated and moved on to the next cultural
model -- the research lab -- that he realized he had acquired a habit
of speech that no longer served him well. And gradually he lost his
acid tongue.
Cultures, it seems, are like seawater to a fish. You don't notice the
features of your culture until you move to a different one.
Moulton is now a lot more resistant to picking up undesirable
features of a culture. Which often makes him stick out like a sore
thumb.
It's like going to the beach, where everybody is playing volleyball
except this one dude, who is sitting quietly with a sketchpad,
sketching pictures of the volleyballers. Of course they don't notice
he's drawing pictures. They just see him sitting there, not playing
the game.
Pretty soon, one of them throws the volleyball at the guy with the
sketchpad, to see if he'll enter the game. But the ball just bounces
off him. He ignores it and goes on sketching. Which really irks the
volleyballers. Pretty soon a few of them are pelting him with the
volleyball, trying to get a rise out him. And he just draws a sketch
of them throwing the volleyball at him.
This is how Moulton behaves when he is in a foreign culture.
Is that weird or what?
Mon, 11 Jun 2001
Speaking of foreign cultures, Moulton is on another jag.
He's researching yet another of those ineffable affective emotional
states.
He's trying to find out the name of the affective emotional state one
experiences when others are behaving like arrogant pompous ass
know-it-alls.
Sheesh, what a nebbish.
Why doesn't he just say he feels like calling them arrogant pompous
assed know-it-alls. Is that so hard to say?
Trust me on this. Moulton will research this puzzle until he comes
up with a clinical term for his affective emotional state that no one
ever heard of before.
Tue, Jun 12, 2001 6:25 AM
Moulton seems to be feeling "abraded" by the "abrasiveness" of
others. He went down to the basement and got some "True Grit" Coarse
Grit Sandpaper and papered a sample of it on the wall of his computer
study. Then he labeled it, "Welcome to the Emery Board."
Moulton is weird.
Me, I just feel a little gritty after the affairs of the day.
Tue, 12 Jun 2001
Well, Moulton is fit to be tied today.
He just came home from grocery shopping at the local Stop & Shop.
This week, chicken is on sale. The regular price is $2.99/lb, but this
week they are running a "Buy One, Get One Free Sale."
And the ad (both in the store and in the circular) says "You Save
$2.99/lb".
Heh. Moulton pointed out to the store manager that his savings was
not $2.99/lb but $1.50/lb.
The store manager didn't get it. He assured Moulton that he was
saving $2.99 a pound when he bought two pounds of chicken for
$2.99 (when Moulton normally would have paid $5.98 for those
same 2 pounds of chicken without the sale).
Moulton tells the guy that if he buy 2 pounds of chicken for $2.99,
he is paying $1.50 a pound, which is half the regular price, for a
savings of $1.50/lb.
The guy just doesn't get it. Moulton is exasperated.
So Moulton comes home and, as he is unpacking his groceries, he
turns on the radio to NPR's Talk of the Nation and guess what
they're talkin about? Yep. Basic economic literacy and why people
can't understand simple marketplace math.
Mebbe Click and Clack should do a Puzzler on this one.
Thu, 14 Jun 2001
Moulton has been thinking about issues of ownwership for a day or two.
He drew a diagram on the board:
A --> B
which he reads aloud as "A Implies B."
Now, here is where Moulton is confused...
If 'A' and 'B' are States of Affairs or States of Mind, such that one
person "owns" 'A' and another persons "owns" 'B' then who "owns" the
Implication itself, 'A --> B' ?
Moulton is coming to the conclusion that, in Systems Theory, flows in
the system are not "owned" by any system component, but are an
Emergent Property of the System itself.
What a nerd! Nobody is ever gonna understand that.
The guy oughta go looking for some song lyrics that express that
notion.
Sat, 16 Jun 2001
Moulton spent the day at MIT yesterday. He does that about one
day a week. He mainly goes there to socialize and to schmooze.
Moulton went into the MIT Coop yesterday, which is a large store
where you can buy all kinds of survival gear, like clothing.
Moulton hardly ever buys clothing, but yesterday he bought a
T-Shirt.
I kid you not. This guy, who still owns every ratty T-Shirt since he
was in college actually bought a new T-Shirt with real hard-earned
money.
And he had to go to the MIT Coop to buy this particular T-Shirt
because you can't buy it anywhere else on the planet.
Moulton bought one of those Maxwell's Equations T-Shirts. Only at
MIT.
They come in four colors and two styles of printing. They all have
the 4 famous equations of James Clerk Maxwell printed on the
front, but one style surrounds the equations with "And God said ..."
[Maxwell's Equation Go Here] "... and there was light." The other
style is for Atheists, I guess. Moulton is not an Atheist.
Moulton bought the "And God said ..." model.
He says he is going to wear it as his "costume" at a talk next week.
This should be good. Stay tuned and I'll let you know how it goes.
Moulton's Maxwell's Equation T-Shirt
Sat, 23 Jun 2001
Well, Moulton was in his element this week.
The conference, which was held in the posh Tang Center at the MIT
Sloan School of Management, was called "WET-ICE" which stands
for "Workshop on Enabling Technologies -- Infrastructure for
Collaborative Environments."
Most of the regular talks sucked, but there were two good keynote
speeches, and several good coffee breaks and dinner conversations.
Moulton ran into two old colleagues from a 1995 Mud Workshop
and did a lot of catching up with them. Kirstie Bellman is one of the
most extraordinary professional women in the business. Moulton is
a terrible listener, but he can listen to Kirstie for hours. And he
did.
Kirstie is joined at the hip to Chris Landauer who documents
everything they do. He's cool. Like Esther Dyson, Kirstie is the
daughter of a famous researcher who began teaching her how to
think at age 3. What a difference it makes to have a parent who
bothers to teach their children how to think.
Believe it or not, Kirstie says she has never met Esther Dyson, but
they both know it's inevitable. I'd love to be a mouse in Moulton's
pocket when they meet. Trouble is, Moulton prolly won't be there
when it happens.
Moulton also met several other movers and shakers, including Tom
Malone, the best of the two keynote speakers. He wants Moulton to
write up the remarks he made after Tom's talk.
Moulton also fell for another researcher from Sandia National Labs.
Elaine Raybourn is new on the scene, but smack on target. She's a
Sociologist who studies human behavior in collaborative
environments.
Well, 'collaborative' is sort of a euphemism here. If you put humans
in a collaborative environment they discover ingenious ways to
transform it into a war zone.
Which brings me around to Moulton's talk on Friday morning.
What a performance. The guy is practically an evangelist. Barsoom
Tork on speed.
Oh, and I was in the talk, too. Yep. He trotted me out for his
patented 'Bricolage with Montana Mouse' sketch. But now I have
competition from Moulton's new Maxwell's Equation T-Shirt. But I'm
cuter.
Definitely cuter than Moulton in his Maxwell's Equation T-Shirt.
Yep. No question about it.
I'm cuter.
Sun, Jun 24, 2001
Part of Moulton's talk last Friday was the introduction of yet
another model. This guy has more models than Carter has pills.
Moulton starts with Data. "What's Data?" he asks.
And then before anyone can even ponder the question, Moulton answers
his own rhetorical question. "Data is the answer to a question no one
asked."
Who asked him, anyway? The audience looked annoyed.
But Moulton, oblivious of the blank stares, drones on.
"So what is Information?"
Now you'd think he would wait for the poor schlepps to answer this
one, but they are too annoyed to respond, so he answers for them.
"Information is the answer to an asked question."
And he goes on about converting Data into Information by attaching
questions to each datum so as to build a mountain of Question-Answer
Pairs out of the Data that no one cared about in the first place.
Now you'd think the guy would sit down and let people go get a cup of
coffee and a brownie, which is what they really want. But nope.
Moulton isn't done yet. He's barely begun.
"Information," he drones on, "is like a box of unassembled jigsaw
puzzle pieces."
The audience is all but snoring.
"And what do we do with a box of unassembled jigsaw puzzle pieces?"
I'm waiting for someone to say, "We throw them at you, one by one."
But no. This is a polite, if long-suffering crowd. One of them meekly
whispers, "Assemble them?"
"Right!" says Moulton encouragingly, "We assemble them into a Fabric
of Knowledge."
Blank looks blanket the room.
"And what happens when we finish assembling the Jigsaw Puzzle of
Knowledge?"
Silence happens.
Eye glaze happens.
But Moulton is undaunted. "Insight. We see the Big Picture that was
previously hidden in the disassembled pieces of information."
And Moulton launches into his Evangelistical Mystical Rapture.
"Insight. Enlightenment. Epiphany. Revelation. The Aha Moment. The
Eureka Moment."
More like the Snore Moment if you ask me.
Moulton is Snorkeling in Deep Water. Then he goes Scuba Diving.
"So what is the use of Knowledge? What is the use of all this
Insight, this Seeing the Big Picture?"
The Sominex Company should be very afraid. Moulton could put them out
of business.
"People have Values and Disvalues, Desires, Goals, Objectives. They
want to use their Knowledge to get more of what they want. When you
fold in a Value System, you get Wisdom."
More like Foolishness, if you ask me.
"And what comes out of Wisdom?"
Stone silence comes out.
"StoryMaking. The Bard, with his Deep Insight and Wisdom extracts a
Story from the Big Picture."
A StoryMaker Moulton is not.
"And what is a Story?"
The audience is lost somewhere in Nepal.
"A Story is an Anecdote."
As if Moulton could tell an Anecdote from a Sleeping Pill.
"And what is the plural of Anecdote?"
By now the whole audience is in Emotional Paralysis.
"The plural of Anecdote is Data."
And Moulton draws a big arrow on the blackboard closing the loop.
No one gets it.
Oh the Humanity!
It was a Stunning Performance.
Literally.
Mon, 25 Jun 2001
Speaking of leaving people speechless, Moulton seems to have done it
again.
Yesterday he was digging up references to Harry Potter and his arch
nemesis, Voldemort.
About the only character in the Harry Potter stories who is able to
mention Voldemort by name is Albus Dumbledore. The other characters
cannot even utter his name, but refer to Voldemort elliptically.
Many of the antagonistic characters in Harry Potter have names that
are clues to their roles. Draco Malfoy is the Boy Lizard with Bad
Faith.
Voldemort is the Annihilator of Free Will.
Antagonistic and nemesistic characters seem to leave the Protagonists
speechless, frozen in terror.
Emotional Paralysis.
It's a common affliction.
What is the Unutterable Name of their Fear?
Tue, 26 Jun 2001
Seems I'm not the only mouse in Moulton's life.
Moulton goes into the MIT Media Lab several times a week these days.
It's a busy time for him and his project there.
In the lobby of the Media Lab hangs a large fabric flag. Except that
what's depicted on the flag is not some typical pedestrian flag design.
Nope, nope, nope. The flag depicts the face of a well-known mouse which
children the world over adore.
Well almost. It's not a regulation image of this famous mouse.
Definitely not a regulation image.
This mouse has those slanty almond eyes that make it unmistakeably an
Alien Mouse.
Moulton stares at the Alien Mouse with the slanty almond eyes every
time he passes through the lobby of the Media Lab.
Moulton identifies with that Alien Mouse.
Alien Mouse
Sun, 01 Jul 2001
Moulton was in his element this week.
It was a big week, culminating in a meeting with the Advisory Panel of
his big project at MIT.
But the best part was Friday and Saturday. One of the members of the
Advisory Panel stayed over to schmooze with Moulton.
They were up half the night trading stories and ideas.
There was Moulton, in his living room, choreographing a scene to
explain the fundamentals of electricity to children who would be too
young to grasp the usual abstractions. The children would dance a kind of
Conga Line that depicted the way electricity moves.
SeƱor Wences is alive and well, performing in Moulton's living room.
Moulton is a Systems Thinker. There aren't a whole lot of Systems
Thinkers in this world. So when Moulton has a houseguest who is also a
Systems Thinker, researcher and an educator to boot, it turns into a
high intensity seminar.
I couldn't begin to recap everything they talked about. It went on
for hours and hours, and neither of them tired of it. It was an
astonishing candlelight performance.
Yep. The power went off. There was a huge downpour and electrical
storm, and the power went off. Moulton lit some candles and they did
all this in the near darkness on Saturday night.
Candlelight dancing in Moulton's living room.
You had to be there.
Mon, 23 Jul 2001
Whew!
It's been a hectic weekend in these parts.
On Friday, Moulton dashed over to the airport to meet Moonbeam's
arriving flight. The Red Line was suffering delays, and Moulton
arrived at the gate to meet Moonbeam's flight just as she was coming
out the door.
But the ride on the T back to where Moulton parks his car was an
adventure. It took them 3 hours to go from the airport to Moulton's
house.
The big hangup was another breakdown on the Red Line, just two stops
short of their destination. The train in front broke down and had to
be pushed into the station by the train behind. Phun.
Saturday, Moonbeam was feeling ill, but they went to the Science Museum
nonetheless, where Moonbeam spent most of the day sitting in the
Volunteer Lounge writing and resting. It has a nice view of the
Charles.
Then Saturday night they went to MIT for a picnic. The organizers had
moved the picnic, so Moulton and Moonbeam wandered all over campus
looking for it. But the food was good.
Sunday they returned to MIT for a marathon workshop that ran for 11
hours with no breaks. It was a good workshop, but Moonbeam was
exhausted. The best part of her day was playing Scrabble on a Media
Lab machine that is faster than Moulton's antiques.
What a 'Mechiah'!
Fri, 07 Sep 2001
Moulton's been busy of late. So busy, he sometimes forgets me. Three
times now he's done his laundry without bothering to remove me from his
pocket. It's like going through the carwash in Moonbeam's Zephyr.
Gimme a towel already.
Moulton and Moonbeam finished their reunion with visits to some museums
of art and history, and enjoyed some quiet evenings, briefly
interrupted by a small crisis or two.
Anyway, Moonbeam headed back to the mountains while Moulton went to
Madison Wisconson, on the shores of Lake Mendota, to give a paper on
his favorite research subject. And, as usual, he dragged me out of his
pocket to demonstrate his ideas.
I must have done a good job, cuz they gave Moulton an award for his
talk, and he even thanked me for helping him. I guess that makes up
for all those unadvertised launderings.
Then he spent a week and half visiting his family in Indiana.
Different members of Moulton's family move at different speeds. His
mother, naturally, moves at a snail's pace. His nephew, Bob, who has
his own construction business, moves at lightspeed. Bob's speedboat is
called "This Side Up" because he flipped the last one he owned.
And his brother and sister-in-law, who were in the process of moving
into a new house, move around in circles, tangoing to the music of the
sneers.
It was a weird interlude.
Moulton returned to resume his bucolic life at home. He planted 14
mums, 2 pansies, and 180 bulbs in his garden, and resumed his routine
at the Museum of Science, with an accasional night out for Dungeons and
Dragons.
But wait. There's more.
Then he drove out west. Well to western Massachusetts anyway, to give
a marathon guest lecture to a bunch of public school educators who were
enrolled in a professional development program at the Massachusetts
College of Liberal Arts. It was Show Time again. But no award this
time. Just a nice thank you and a drive through the Berkshires.
Now Moulton has a houseguest for the next two months. A young post-doc
from Carnegie-Mellon has moved in for a spell to collaborate on
Moulton's big project at MIT. Poor Moulton. He won't be able to laze
around for a while. There's work to do.
Date: Sat, 08 Sep 2001
I almost got the day off, today.
Last week, one of the other volunteers at the Museum of Science brought
in a small Van de Graf Generator. It was in a state of disrepair,
which naturally attracted Moulton's interest. He can't keep his mitts
off stuff that's broken.
So today being a slow day at the Museum, Moulton had time to fiddle
with the Van de Graf Generator.
"What's a Van de Graf Generator?" you ask.
It's a lightning machine.
Well, the big ones are. This was just a little one, so it only
produced little sparks, not big lightning bolts.
Sparks are baby lightning bolts. Or lightning bolts are moby sparks.
Anyway, it's a fairly simple machine. There is a rubber belt that runs
up and down a vertical tube, about the size of a paper towel tube. At
the bottom of the tube there is a little piece of copper wire that rubs
against the belt. At the top of the tube is a metal dome, about the
size of a small mixing bowl. It fits snugly over the top of the
vertical tube.
The belt is driven by a small electric motor. As the belt turns, it
rubs against the copper wire and picks up a few stray electrons which
are carried up with the moving belt, where they jump to the metal dome.
There they collect and build up a charge of static electricity, which
you can feel if you bring your hand near the dome. The static
electricity makes the hairs on the back of your hand stand up, and it
feels a little like wind on your arm.
Moulton then attached a ping pong ball to a string and suspended it
near the dome of the Van de Graf Generator. The ping pong ball would
pick up some static electricity which makes it repell from the dome.
Moulton got all this working and spent much of the afternoon
entertaining the visitors with the machine.
I almost got off scott free.
But just at the end of the day, he hauled me out to repeat, for the
umpteenth time, his spiel on emotions and learning, with me in the
ignominious role of "learning critter."
I'd rather have been electrocuted on the damned lightning bolt machine.
Date: Sun, 29 Sep 2002
This has been something of a breakthrough month for Moulton at the
Museum of Science.
For years he has been perfecting the art of coaching visitors at the
puzzle counter.
Julien is another Science Museum volunteer and part-time staffer who
has gradually picked up the art of coaching, much to Moulton's
gratification and delight.
About a month ago, Julien asked Moulton if he knew any way to coach
visitors to solve one of the newer puzzles in the collection.
Moulton told Julien that he didn't know any coaching technique for
the newest puzzle, but his intuition suggested that the new puzzle
was similar to the Tower of Hanoi, for which there was a
well-established coaching technique that Julien had already mastered.
Perhaps, suggested Moulton, the coaching technique for the Tower of
Hanoi could be adapted to the new puzzle.
A week later, Moulton came into the Discovery Center to see Julien
coaching a young visitor to solve the newer puzzle. Moulton watched
in astonishment as Julien led the young visitor to systematically
solve the puzzle.
It was a red-letter day. Julien had not just matched Moulton's
practice, he had moved beyond it. Julien was not just flying solo
anymore, he was now doing tricks beyond anything that Moulton had been
able to figure out.
And then there was a touching moment when Moulton went up to Julien
to congratulate him on his astonishing achievement. Julien had been
the first to prove that others could both master the coaching
technique and generalize it.
Yesterday, Moulton arrived in the Discovery Center to find Julien
visiting with a parent at the puzzle counter. Julien had drawn a
diagram on a piece of paper and was explaining it to the parent.
Moulton looked down at the paper and his jaw dropped.
Julien was deftly explaining Moulton's Four-Quadrant Model of
Emotions and Learning to the visitor.
Hallelujah! Moulton has won. Julien, at age 30, has now mastered
his own understanding of the underlying theory and is now able to
explain that, too.
It's another Mechiah!
If Julien can learn it, so can others.
Date: Mon, 30 Sep 2002
Saturday night, after the Museum of Science, Moulton went over to the
home of his friends, Len and Roz, who were celebrating the second
birthday of their youngest child, Christopher.
To Moulton's surprise, all of Len's family had come up from
Connecticut, and Roz' parents were there from Atlanta. The place was
packed.
Roz' father, Bill, had bought a puzzle called 'Rush Hour' for 6-year
old Michael, the older child. 'Rush Hour' (sometimes marketed as
'Grid Lock' or 'Traffic Jam') is a large sliding block puzzle in a
square frame, with rectangular blocks of different sizes. It's not an
easy puzzle.
In a matter of days, reported both Bill and Len, Michael had zipped
through Levels 1 and 2 of the puzzle and was on his way to solving
Level 3.
Len is the oldest of 5 siblings. Len's youngest brother, John, is
not a puzzle solver. He's invariably the last member of the family to
be found amusing himself with a challenging mind-bender.
But Michael had somehow cajoled John into trying the 'Rush Hour'
puzzle. After all, if a 6-year old can do it, how hard can it be?
So here was John, aided by his girl friend, Tara, sweating over this
classic, challenging puzzle.
'Rush Hour' is based on 'nested goals'. To solve the main problem,
you first have to solve a slightly simpler one. And to solve the
simpler puzzle, you have to solve a yet simpler one, and so on. The
key idea is to recognize the sequence of nested goals, and work them
in reverse order.
It's easy to get lost or confused.
John and Tara were lost and confused.
And then along comes 6-year old Michael -- but not to show them how
to solve it. Nonono. Michael understands the point of solving
puzzles. It's not to get the answer. Nopenopenope. It's to enjoy
the process of discovering the elusive solution.
And there was 6-year old Michael, coaching his 32-year old uncle to
think his way through the solution to 'Rush Hour'.
And the best part was that John enjoyed it, and didn't feel stupid or
embarrassed to receive help from a precocious 6-year old. John was
able to boast that he had solved it.
Moulton was so impressed he awarded Michael an orange Museum of
Science T-Shirt.
Why orange?
That's his father's favorite color.
Orange is the color of Amusement.
Date: 10 October 2002
Well, Moulton's gone and done it now.
Last March, he gave a coupla guest lectures at Harvard, which the
instructor taped.
Then she had her husband process the tapes into QuickTime movies.
Then she had him burn the movies onto a CD and she gave Moulton a
copy.
It was no big deal, cuz Moulton didn't have a machine powerful enough
to play QuickTime movies.
So he just put the CDs aside.
But then, the idiots at MIT broke down and gave Moulton a half decent
iMac to take home, since his ferchachta old machines were barely able
to boot up without falling apart.
So naturally, Moulton needed to find out if the CD player worked.
Yah, it worked. But the speakers didn't. Silent movies.
So Moulton took the bloody iMac apart and soldered up the broken leads
on the little printed circuit board where the headphone jacks plug in.
Took him all day. Plus he burned his fingers on the soldering pencil.
What a klutz.
But now he had a CD player that played QuickTime movies with sound,
and even DVDs. Moulton is not in the stone age anymore.
But then something evil overtook him. He decided to upload the
QuickTime movies to the MIT Web Server so
that Moonbeam and others
could see them. Hah. Do you know how long it takes to upload half a
gigabyte of movies over DSL? The upload speed on DSL is much slower
than the download speed. It took two days to upload those movies.
It would have been faster for Moulton to take the Red Line down to MIT
and to copy the movies straight off the CD on a lab machine.
Moulton is too lazy to go out of the house if he doesn't have to.
Anyway, he finally gets the movies up on the MIT Web server.
As if anyone is gonna stream 2 hours worth of Moulton ranting and
raving in front of a bunch of students at Harvard. Hah!
The worst of it is that I'm in the movie, too. Yep.
Part way into one of the lectures, he pulls me out of his pocket and
subjects me to that humiliating bit about how I'm first a 'moving
critter' and then a 'learning critter'.
I never signed up to be an Internet movie star.
Date: 16 June 2005
Harrumph.
Seems I have a rival. There is a new GhostWriter in
Moulton's life.
Not that I can blame him. I haven't been much of a chronicler or publicist
to that schmeggegy scientist for -- oh lessee -- about three years now.
But that GhostWriter -- jeez he sucks. The guy can't even tell a story.
I'll prolly have to be his Ghost-Writer-Once-Removed.
Once removed? Hrmmm. Mebbe that's a poor choice of words
under the present circumstances.
Date: Tue, 05 Jul 2005
Paul Winchell, the voice of Tigger, who died last week, had a puppet
named Jerry Mahoney. Jerry Mahoney had a doppelganger (carved by the
same Gepetto (Frank Marshall)) known as Danny O'Day, whose strings
were pulled by ventriloquist, Jimmy Nelson, who had a second puppet
character -- a dog named Farfel, whom he [Jimmy Nelson and/or Danny
O'Day] talked to.
Unlike Kevin Bacon, there were 7 degress of schmooziness between
Tigger and Farfel.
I never met any of them, although Moulton once told me he admired
puppeteers like Burr Tillstrom (Kukla Fran and Ollie), Shari Lewis
(Lamb Chop), and Jim Henson (the Muppets).
I'm glad I'm not a puppet. A journalist has to be able to think for
himself and question authority. Part of my job is to ask tough
questions of Moulton.
Date: Wed, 3 August 2005
Moulton lived in NJ for a while, when he worked at Bell Labs in Holmdel, back
in the 70's and 80s'. He left NJ in 1987, not long after the US DoJ broke up
the Bell System, thereby leaving Bell Labs in a shambles.
During those last few years in NJ, Moulton managed to accumulate a few points
on his NJ Driver's License for two local speeding tickets in Holmdel and Tinton
Falls. About that same time, NJ instituted a state-operated Insurance Surcharge
for drivers with points on their record.
Moulton had diligently paid all the fines and insurance surcharges that were
levied while he lived, worked, and drove in NJ. After he left the state, he
allowed his NJ Driver's License to expire, and obtained a new one in
Massachusetts, where he now lived.
Unbeknownst to Moulton, the NJ AISC (Automobile Insurance Surcharge Collection)
agency continued to assess the insurance surcharge for a year or two after he
left the state, racking them up against his long-expired NJ Driver's License.
About ten years ago, Moulton got the first of many annual
dunning and threatening letters from them, advising him that his old NJ
Driver's License (which had long ago expired anyway) had been suspended, and
that he owed them some big bucks, or else all sorts of horrible and dire things
would happen to him.
So Moulton wrote them to advise them that he had left NJ, no longer even had an NJ
Driver's License, and had not even set foot in the state since his departure
from the state in the previous decade.
No matter, they ignored the letter and continued to send him annual dunning letters.
This time Moulton called them up on their 800 number and yelled at them about it
for a good hour. It didn't help a bit. It just got his dander up, bigtime, as
they were utterly intransigent.
Today, Moulton Googled up the statute, which clearly says in the very first line
that the NJ Automobile Insurance Surcharge Collection applies to 'Drivers'.
So he called them again to point out that he had become a Non-Driver during the
year or two in the late 80's when they had continued to bill him, in clear violation
of the authority of the Statute.
But the agent on the 800 line said he had no power to respond to that
observation -- that his office was allegedly operating in violation of the
clearly worded authority of the Statute -- and that Moulton would have to
take it up with 'higher authorities' at the DMV (which didn't have an 800 number).
So Moulton called them on his own dime, and got pretty much the same
run-around again.
It all goes to prove Moulton's Law: If a bureacracy makes a mistake, it can't be
fixed. Ever.
Not even after 18 years.
Date: May 10, 2007
Moulton spent
the day at MIT, attending the fabulous launch of John
Hockenberry's new project, Human
2.0. The entire day-long event is up in RealVideo on the
project's web site.
Moulton got home around 10:30 PM, utterly exhausted, and fell into bed
straightaway. He woke up at 2:30 AM.
I was there, too, of course, covering the event as a journalist.
And it was fabulous program, if I do say so myself.
Mebbe one of the upcoming reports in the media can do it justice. As experienced an amateur
journalist as I am, I don't think I can begin to write about Human 2.0 and do it justice.
One special guest was athlete and stunning model Aimee Mullins who is
a double amputee. She has 10 pairs of artificial legs, one for every
occasion including fashion shows, foot races, and avant guarde art
installations. Aimee was the 'Cheetah' in the video clip from the
Guggenheim in Cati's blog.
Another special guest, Hugh Herr, who lost his legs in a climbing
accident, literally designed his own new body — a state of the
art bionic knee and ankle. Aimee and Hugh are 'body builders' of kind
never seen before. Hugh scaled a special 'climbing wall' to show how
he regained his ability to engage in his favorite recreational sport.
Tod Machover's musical show stopper drew a standing ovation and
brought tears to Moulton's eyes. That's the second time Machover's done that.
Cati also blogged Cynthia Breazeal's presentation on sociable robots.
Two of the managers from Cahner's Computer Place at the Boston Museum
of Science attended the program, at Moulton's invitation, prodding, and insistence. He had
to drag them there, kicking and screaming, but they later admitted they were glad they came.
Well yeah.
Date: March 15, 2011
Beware the Ides of March.
Moulton is all in favor of historical re-enactments, as they often have
significant educational value.
But it's important to let everyone know when a drama is an historical
re-enactment and not a live event.
Alas, Moulton was not prepared for the dramatic re-enactment of the Columbine
shootings at Wikiversity.
The headmaster of Wikiversity (played by Sheriff Andy Taylor of Mayberry)
foolishly gave a single bullet to his special education student
(played by Barney Fife). The special education student then used the
single bullet to kill an unsuspecting visiting scientist (played by
Barsoom Tork).
Barsoom's character did not survive.
Oh well. So it goes.
Copyright 2001-2011, Barsoom Tork Associates.
There aren't any
news stories up yet in the mainstream press, but Cati
Vaucelle (who worked on the Affective
Learning Companion with Moulton about 7 years ago) did blog
three of the special guests.